Popes, Pirates, Espionage and Galley Slaves: Vasari's Lepanto Frescoes in the Sala Regia of the Vatican Palace

Activity Type: 
Lecture
Promo Image: 
Presenter: 
Rick Scorza (Resident Research Scholar at the Morgan Library, New York)
Date: 
Thursday, April 5, 2012 - 16:30
Event Status: 
As Scheduled
Location: 
Frick Fine Arts Building, Room 202

The great naval Battle of Lepanto of 1571 in which the Turkish armada was devastated by the combined fleet of the Papacy, Venice, and Spain was an event of enormous symbolic as well as military importance to the Catholic Church, because it briefly gained for the Christian Alliance control of most of the Mediterranean, temporarily eradicating the threat of the “infidel”. Several Italian and Spanish artists depicted the battle but none so splendidly as Giorgio Vasari (1511-1574) in the Sala Regia of the Vatican Palace. Despite its prominent location in the administrative heart of the papacy and the fame of Vasari, the literature on this huge fresco cycle was scant before Dr. Scorza published two recent articles. Dr. Scorza will explain this cycle with reference to the literary and visual sources available to Vasari when he painted it, ranging from prints, drawings of Venetian galleys which were smuggled to Rome, and above all the beautifully sculpted bronze medals commemorating the victory which were circulated by the Papal mint. The lecture will also discuss the plight of enslaved oarsmen, and how a former Christian galley slave in Muslim hands rose to become captain and ultimately Grand Admiral of the Turkish fleet, having totally outwitted his opposite number at Lepanto and returned triumphant to Istanbul with the battle standard of the Knights of Malta. Within three years Uluch Ali - a renegade Christian - regained Turkish dominance of the Mediterranean.

Dr. Scorza took his M Phil from the Warburg Institute in the Survival of the Classical Tradition and then completed a PhD in Art History at the Warburg. He has published significant articles on a variety of topics in The Burlington Magazine, the Journal of the Warburg and Courtauld Institutes, and elsewhere. He has also contributed to exhibition catalogues, most recently for the Giorgio Vasari exhibition in Arezzo celebrating the 500th anniversary of Vasari’s birth. He has given papers in several international conferences, including one titled “The Iconography of Slavery.”

This talk is sponsored by the Department of the History of Art and Architecture and co-sponsored by the Program in Medieval and Renaissance Studies, the Humanities Center, the History Department, and the Department of French and Italian.

UCIS Unit: 
European Studies Center
Non-University Sponsors: 
Humanities Center
Department of History
The Program in Medieval and Renaissance Studies
Department of History of Art and Architecture
Department of French and Italian
World Regions: 
Europe
Western Europe
European Union