A wild flower power ride on the footprints of the Soviet hippie movement take you into the psychedelic underground of 1970s.
The Center for Latin American Studies presents the CLAS Cinema Series Fall 2018:
September 11 ... The Future Perfect
October 2 ... On the Roof
October 23 ... Eyes of the Journey
November 6 ... Spider Thieves
November 27 ... The Candidate
December 4 ... The Queen of Spain
Tuesdays at the Frick Fine Arts Auditorium
6:30 P.M. - Pizza
7:00 P.M. - Movie
For more information, visit: https://clascinema.weebly.com/
Free & Open to the Public!
English subtitles provided.
2018 | Japan | 99 minutes | Drama
Director: Shuichi Okita
2018 | Denmark/South Korea | 85 Minutes | Drama/Hybrid
Director: Malene Choi
2018 | Japan | 99 minutes | Drama
Director: Shuichi Okita
2017 | Taiwan | 104 Minutes | Drama
Director: Huang Xi
2017 | India | 100 Minutes | Drama
Director: Atanu Ghosh
SYNOPSIS: Mayurakshi follows Aryanil, who has traveled from Chicago to Kolkata to meet with and care for his aging father, Sushobhan, who is in poor health. With dementia phasing out his immediate past, Sushobhan tends to be silent, irritable, and fretful. The son, with his failed marriages behind him, faces life numbly and without hope. When Sushobhan starts asking for the mysterious Mayurakshi, Aryanil realizes he has more on his plate than he originally anticipated.
2017 | Indonesia, France, Malaysia, Thailand | 93 minutes | Revenge Thriller
Director: Mouly Surya
SYNOPSIS: In the deserted hills of an Indonesian island, Marlina, a young widow, is attacked and robbed of her cattle. To defend herself, she kills several men of the gang. Seeking justice, she goes on a journey of empowerment and redemption. But the road is long especially when the ghost of her headless victim begins to haunt her. This gripping revenge thriller shows Marlina in a personified feminist rage like no other that will audiences talking about it for years to come.
2018 | Japan | 138 Minutes | Drama
Directed by: Masanori Tomonaga
2017 | Turkey | 115 minutes | Drama
In Onur Saylak's debut feature, fourteen-year-old Gaza helps his domineering father smuggle refugees from war-torn countries to Europe, giving them temporary lodgings and scant food until they attempt the crossing. Gaza dreams of escaping this life, but can't help being drawn into a dark world of immorality, exploitation, and human suffering. Gritty and disturbing, Daha asks the question: can you avoid becoming a monster when you've been raised by one?
