Nergis Ertürk is the author of Grammatology and Literary Modernity in Turkey (Oxford University Press, 2011), the recipient of the 2012 MLA Prize for a First Book. In 2008, she won the William Riley Parker Prize for her essay, "Modernity and Its Fallen Languages: Tanpınar's Hasret, Benjamin's Melancholy," which appeared in PMLA. Her article, “Phonocentrism and Literary Modernity in Turkey,” appeared in boundary 2, and her research has also appeared in a wide-ranging collection of prominent literary works.

Katharina Matro’s dissertation and talk focuses on the transformation of the vast estates of Prussia’s nobility into Polish state farms and smaller family farmsteads post-1945 and the defeat of Nazi Germany. Her research forms the argument that the continual assault on both land and property rights during the time determined the fragile postwar economy and society in the region.

The Hagia Sophias of Istanbul, Iznik, and Trabzon shared similar conversion histories. All three were built as Byzantine churches, converted into mosques under the rule of the Ottoman Empire, and functioned as museums in the 20th century.

Comparing Legislatures implies numerous challenges to capture the complexity of democratic logics playing in these institutions, especially when these legislative bodies are embedded in institutional settings and present features that are seen as unique or exceptional. This talk aims at presenting a specific reading of comparative legislative research on two exceptional Legislatures, namely the European Parliament and the US Congress. Dr.

Mrs. Gianna Angelopoulos-Daskalaki was elected Member of Parliament of the Greek Republic in 1989 and was re-elected the following year. In 1998, the Republic of Greece appointed her Ambassador-at-Large for her service leading Greece’s successful bid to host the 2004 Olympic Games. Two years later, she was asked to assume the presidency of the ATHENS 2004 Organizing Committee for the Olympic Games, which was at the time behind schedule and over-budget.

Among the Baroque paintings held in the Royal Collection in London are two works from the early modern Netherlands: the Dutch artist Rembrandt van Rijn's Portrait of the Shipbuilder Jan Rijcksen and his Wife Griet Jans, 1633, and the Flemish artist Anthony van Dyck's Cupid and Psyche, 1640. At first glance, these paintings could not look more different, yet they have more in common than at first appears.

Graduate Seminar building on Prof. Berman's talk "Figuring out Europe: Nation, State and the European Union in the German Public Sphere"

Graduate Seminar building on Prof. Berman's talk Is the Ivory Tower an Iron Cage? Why We Need to Reform Humanities Education

*Part of the History Department's Book Symposia Series*

Featuring commentary by:
Billy Hutchinson (Progressive Unionist Party, Northern Ireland)
David Miller (CMU)
Peter Shirlow (Queen's University-Belfast)