Temporary and Permanent Anatomy Theaters: the Stakes of Transition
In the Renaissance, studying nature meant (most of the time) encountering nature. But these encounters, as Peter Dear has indicated, tended to generate a discussion (in the period and in the historiography) between unmediated sensory experiences and experiences organized by prior conceptual categories. This paper focuses on anatomical encounters, when anatomists articulated that distinction with clarity, in order to reconsider the significance of ephemeral and permanent anatomy theaters.
The relationship between the two is usually described chronologically: