On September 27-29 Professors Jackie Smith and Melanie Hughes, along with their collaborators will host a workshop with more than a dozen researchers from seven different countries where we will analyze new datasets they have compiled on transnational social movement organizations and networks. International scholars, including many junior researchers, will examine how social movements are responding to a variety of changes in the global system, including the end of the Cold War, climate change, and growing incidence of protests in locations around the world. The workshop will generate an edited volume and support ongoing international research collaboration.
Events in UCIS
Friday, September 28
2017 | Taiwan | 104 Minutes | Drama
Director: Huang Xi
SYNOPSIS: Following Hsu's move to Taipei by herself, she starts receiving a series of wrong-number calls for the mysterious Johnny. As her emotions stir, Hsu attempts to put Johnny's life together piece by piece. Lee, her landlord's son, becomes increasingly obsessed with Hsu and her new bird. Feng is a wandering foreman hired by Lee's mother to start a renovation site nearby their apartment, who becomes overcome with paranoia when his car breaks down on the way to Lee's. The three Taipei residents' lives merge and intertwine due to Hsu's lost bird, and the transient beauty from the exchange blooms into serendipity and awe.
Alifu is a Taiwanese-indigenous, twenty-something man who works at a salon in the city. He has a dream—to fully transition into a woman. However, as an only "son" he is under pressure to succeed his father as chief of the tribe. Peizhan, a lesbian and Alifu's roommate and colleague, is always on his side. However, she gradually finds out her feelings toward Alifu are not so platonic after all.
Alice the Prince/ss treats our heroes as human beings yet still captures the struggles of the LGBT community with eloquence and poise.
2017 | Turkey | 115 minutes | Drama
In Onur Saylak's debut feature, fourteen-year-old Gaza helps his domineering father smuggle refugees from war-torn countries to Europe, giving them temporary lodgings and scant food until they attempt the crossing. Gaza dreams of escaping this life, but can't help being drawn into a dark world of immorality, exploitation, and human suffering. Gritty and disturbing, Daha asks the question: can you avoid becoming a monster when you've been raised by one?