Tzung-Shiun Li, Ph.D. is Professor, Department of Administrative Management, Central Police University, Taiwan. Now as Visiting Scholar, Graduate School of Public and International Affairs & Certer of Disaster Management, University of Pittsburgh. He also serves as Chairman at Chinese Association of National Competitiveness and Standing Director(2011~2114) of Neihu Safety and Health Collaborative Association in Taiwan. His research interests are crisis management & risk governance, contracting out government services, leadership and public philosophy.

This lecture aims to investigate the direction of Korean art of the past half century, through observing the trends in modern Korean history. It will briefly cover the social and artistic background of Korea in the 1960s to 2010s. The core issue that is pursued by the art of today is ‘communication.’ The reason behind the popularity of artworks that carry the meaning of breaking barriers between artistic genres, overcoming prejudices among people, and destructing regional boundaries is all for the sake of smoothening out communication.

China’s electric power industry, now the world’s largest, displays an unusual mix of impressive achievement and large-scale inefficiency. Rapid accumulation of technical capability has transformed this industry into a major force in global markets for equipment and project management, most notably in the nuclear sector, even as changing demand patterns threaten the finances of major generating companies. The giant ecological footprint of China’s power sector adds urgency to tracking its likely future direction.

Hong’s arrival in the mid-1990s marks a new phase in the development of Korean cinema in the post-democratization era. He responded to the post-epic condition by rediscovering everyday life (its contingency and disjointedness) via a minimalist gaze.

Model United Nations provides students the opportunity to learn about and discuss today's most relevant issues of international diplomacy through participation in an academic simulation.

In prehistoric China, egalitarian communities were often organized into ‘bifurcated settlements’ (两分结构聚落). These settlements are characterized by distinct clustering of residential areas and even burial grounds into two distinct sectors. Ethnographic examples of bifurcated settlements indicate their internal organization is a reflection of a kind of kinship organization akin to the moieties of South America, phratries of North America, and marriage classes of Australia.

Excrement was a hot commodity in the cities of nineteenth-century Japan. The widespread use of night soil as an organic fertilizer meant that residents of big cities such as Edo (Tokyo) and Osaka could sell their waste rather than dispose of it themselves. Thanks to this trade, early modern Japanese cities enjoy a reputation as remarkably green spaces, in which residents lived in salubrious harmony with nature.  Let us put poop into the modernizing city.

The standard narratives of 19th-c. global economic transformation compare and connect patterns of economic change in different regions of the world in distinct ways. The durability of competing explanations for the contrasting economic conditions of countries in the late 18th and early 20th centuries poses a challenge to our efforts to create a more persuasive account of both the momentous changes and the persistence of older economic practicies.

On 16 October 2010, German Chancellor Angela Merkel declared multiculturalism in Germany a failure. Far-right parties that have recently gained power in countries such as Sweden and Austria have further raised doubts about the viability of multiculturalism in Western Europe and North America. Meanwhile, in South Korea, Japan, and Taiwan, where immigration is tightly controlled and integration programs are at their infancy, the catchword, “multiculturalism,” has gained popularity among policymakers and the public alike.

The Japan-America Society of Pennsylvania (JASP) is co-hosting a Halloween Mixer with Point Park University's Anime Club for students interested in Japan and Japanese culture.

All students are welcome!

**Event Schedule**
6:00 pm : Arrival and Sign in
6:15 pm : Food and lots of candy
6:30 pm : Japan-related Club Introductions
7:00 pm : Yokai (Japanese folklore monsters) Presentation
7:45 pm : Costume Contest
8:15 pm : Horror film screening (movie title TBA)
10:30 ~ 11:00 pm : End of mixer
**Don't forget to dress up!**