Medieval Latin Reading Group seminar on the reception of mystical theology in fifteenth-century Munich and the significance of “minor” texts for the development of intellectual traditions.

We will discuss a short portion from Robert Grosseteste at Munich, Dallas Medieval Texts and Translations 14 (Louvain and Paris: Peeters, 2012). The reading, approximately two pages, will be circulated in advance in Latin and English translation. All are welcome, regardless of your prior involvement in the reading group. No Latin required.

The Department of History of Art & Architecture at the University of Pittsburgh is pleased to announce its 2012 graduate student symposium titled “Exhibition Complex: Displaying People, Identity, and Culture.” Organized in collaboration with the Carnegie Museum of Art, our topic is inspired by the museum's fall 2012 exhibition Inventing the Modern World: Decorative Arts at the World's Fairs, 1851-1939. This year's symposium sets out to analyze the many modes of display, types of artistic production, and built and existing structures that constitue ephemeral exhibition spaces.

Matilda of Canossa - familiar to scholars of medieval papal history as a champion of Pope Gregory VII during the Investiture Controversy - is best known to seventeenth-century scholars through the controversy which erupted from the “holy robbery” of her body in 1633.

The book project, “Shakespeare and the Senses,” charts Shakespeare’s diverse experiments with cross-modal sensory and linguistic effects in relation to recent developments in historical phenomenology and current research in cognitive neuroscience.

*With responses by Bruce McConachie (Theater), Marianne Novy (English).

Lynn Festa will be leading a workshop seminar on her paper, "Things in Kid Gloves." Please contact Chloe Hogg at hoggca@pitt.edu for a copy of the paper, to be circulated in advance to workshop participants. This workshop seminar is open to interested faculty and graduate students.

How do precarious workers employed in call-centres, universities, the fashion industry and many other labour markets organise, struggle and communicate to become recognised, influential political subjects? “Media Practices and Protest Politics; How Precarious Workers Mobilise” reveals the process by which individuals at the margins of the labour market and excluded from the welfare state communicate and struggle outside the realm of institutional politics to gain recognition in the political sphere.

The study of Mesopotamian art is often said to have begun in the 19th century, when spectacular sculptures were uncovered in the Assyrian capital cities of Nineveh, Nimrud and Khorsabad. However, examples of Mesopotamian art had been in European collections of art and antiquities since the Renaissance. During the 17th and 18th centuries, these artifacts, mostly cylinder and stamp seals, were not recognized as Mesopotamian. Instead, they were collected alongside the gems of Greece and Rome, among which they were thought to belong, or classified as Egyptian amulets.

*CGS Student Government/Alumni Society Networking Social*

Join the CGS Student Government and the CGS Alumni Society for the opening of the new McCarl Center
Photography Exhibit, “An Evening in Paris.” This exhibit features the photography of CGS Student Government
President Brian Coleman. Brian captured Paris’s joie de vivre while participating in Pitt’s Study Abroad Program
in France this past summer. Meet Brian and several other CGS students and alumni who have studied abroad, as

The “Night of Broken Glass” on November 9-10, 1938

Music by CMU Klezmer Band
Introductory Remarks by Alexander Orbach and Clark Muenzer
Readings by Pitt Students
Video Excerpts from Witnesses and Survivors