*Part of the yearlong series, “Speaking in Tongues”
In Roses in Winter Rebecca Laroche moves beyond recent readings of recipes, distillation and the procreation sonnets. Focusing closely on how one recipe book treats roses and various rose products, Laroche returns to the sonnets with a new appreciation of how roses in these poems are not merely distilled, but rather they grow. What is more, rose water and oil are not everlasting; they, too, fade, and, in their use, they must be replenished.
Dennis Looney will lead an informal seminar on links between Ann Blair’s work (Too Much to Know:
“Information Management in Comparative Perspective") and his research on the systematization of history by Tommaso Porcacchi of the Giolito Press, in the 1560s and 1570s.
*Part of the yearlong series, “Speaking in Tongues”
Lunch will be provided
Dena Goodman is the Lila Miller Collegiate Professor, History and Women’s Studies, University of Michigan. A leading specialist in the cultural and intellectual history of early modern France, her monographs include Becoming a Woman in the Age of Letters (2009) and The Republic of Letters: A Cultural History of the French Enlightenment (1994), both with Cornell University Press.
A great way for students to learn about the opportunities awaiting them on campus, in the city, and even abroad!
Dr. Janice Vance of the School of Health and Rehabilitation Sciences will discuss opportunities for and lessons learned from a unique study abroad program in Ireland. She directs a multi-disciplinary program which provides students with the opportunity to explore research, professional practice, and service provision models in Belfast (UK) and Dublin (Ireland) in a range of professions.
The Habsburg Monarchy disappeared in 1918, but many elements of its urban culture survived and even continued to evolve in the years to follow. In popular cinema of the interwar period, we can pick up what Nancy Condee has called, in other contexts, an "imperial trace" and begin to map out a common cultural space that continued to bridge the former twin seats of empire, Vienna and Budapest. For this talk, I will focus on three titles -- Frühjahrsparade (1934), Ernte/Die Julika (1936), and Maria Ilona (1939) -- helmed by Géza von Bolváry, one of the most prolific directors of the period.
