Love Affair, or the Case of the Missing Switchboard Operator
Dusan Makavejev’s Love Affair provides us with an example of cinematic reflexivity, which can be defined as any technique that reminds the viewer that he or she is watching a film. Reflexivity foregrounds the fact that film meaning is a function of a set of codes with ideological implications rather than a transparent reflection of reality. Reflexivity can be achieved through intertextuality, exaggeration of cinematic conventions or conspicuous narration that reminds us of the author’s mark on the text.