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Director Shô Miyake adapts a boxing memoir from Keiko Ogasawara— who turned professional despite the difficulties of lifelong deafness. “A highlight of the Encounters program at this year’s Berlinale,” (Variety), the film fictionalizes it’s subject as Keiko Ogawa, played with stern intensity by actor Yukino Kishii. The film from the structural trappings of the biopic, as it adopts a focused, in-the-moment approach to Keiko’s life and career: we see her struggles inside and outside of the ring. Keiko’s story is the base from which we learn about the larger struggles between the independent boxing community and the pressures of corporatization and conglomeration as COVID 19 sunk so many small community locations. The film’s sound particularly resonates: without any music, we are free listen to the small punches and rhythms that pierce this boxer's story.

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Winner of three Golden Horse awards including Best Leading Actor for Mo Tzu-Yi, the film tells the story of Mr. Lin, an apartment tenant who tends to the daily needs of the elderly apartment owner and helps look after her orphaned nine-year-old grandson, whom he has legally adopted. When the boy’s uncle returns from overseas and charges him with using the adoption as pretext to secure the deeds to the apartment, a troubled past is brought to light. Suffused with melancholy, tenderness, and a sense of the daily rhythms of metropolitan Taiwan, Dear Tenant dramatizes the continued challenges faced by queer couples despite the legalization of same-sex marriage in 2019 and serves as a showcase for Mo’s subtle, heartbreaking performance.

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