Dr. Urbansky discusses the challenges faced by Chinese immigrants during the late Tsarist Empire and early Soviet Union, highlighting the racial and cultural prejudices that fueled hostilities in urban settings. His analysis explores how these early interactions shaped the experiences and perceptions of Chinese communities in a rapidly changing socio-political landscape.
Join us for a discussion on the growing challenges to democratic ideals in an age of populism, polarization, mis/mal/dis information, and rising authoritarianism. This event will explore the interplay between democratic values and anti-democratic forces, highlighting historical and contemporary movements that both support and erode the democratic project.
Roundtable I: Provocation on Mis/Mal/Dis Information
Roundtable II: Academic Panel
Roundtable III: Provocation on Populism
For more information, visit our website: https://www.ucis.pitt.edu/esc/events/ad-mini-symposium
Registration is required
Join your classmates for Slovak conversation practice in a fun, relaxed environment!
Join us on Wednesdays in the Global Hub for casual Portuguese conversation!
Learn about what events, certificates, and concentrations the Center for Latin American Studies offers. Join us for games and free food!
This article is part of an ongoing ethnography of the Japanese television industry focusing on its attempts to experiment with live, interactive content that was manipulable via smart devices, laptops, and remote controls. Based on 18 months of fieldwork in the Japanese television industry in four major TV network offices and two production companies, it also incorporates interviews with more than 30 broadcast company employees. Using two case studies of early interactive television programming to discuss the strategies producers have used to create community and promote identification among audiences of these shows: ‘Arashi Feat. You’ was a live music event that courted a large audience through the involvement of a massively popular boy band and promoted the idea of ‘turning viewers into users’ by allowing them to play musical instruments along with the band. ‘The Last Award’ allowed participants to submit and evaluate each other’s videos live through a dedicated user interface. Through these examples, Rodwell argues that participation alters the nature of television spectacle and results in changes to the way producers address and inscribe audiences as cocreators of content. The rhetoric used by interactive television accordingly defaults to ‘we’ and ‘us’ and features accessible and relatable celebrities as surrogates for the audience.
Elizabeth Rodwell is a media anthropologist who is interested in interactivity, television, emergent technology (in general), and artificial intelligence (specifically). She is also a usability researcher (UX). My first book Push the Button: Interactive Television and Collaborative Journalism in Japan (forthcoming) examines the post-Fukushima tensions in the Japanese journalism and television industries, and seeks to account for the ways that media professionals are responding to increasingly skeptical and distracted audiences. She tracks the global debut of interactive television in Japan– a cutting-edge fusion of mediums that represented the most dramatic departure from existing television technology in several decades.
Join the French Club on Tuesdays and Wednesdays during Spring semester for conversational meetings and to practice French speaking and listening skills and create a francophone community on campus!
Join the German Club on Wednesdays during Spring semester for conversational meetings and to practice German speaking and listening skills.
