Co-presented with Pittsburgh Sound + Image and Screenshot Asia
Renowned media artist Shu Lea Cheang arrives in person to present her groundbreaking debut feature, a cyberfeminist eco-thriller, newly restored for its 30th anniversary in a stunning 35mm print.
Coined as an avant-anarcho ecosatire, the film envisions a post-apocalyptic landscape strewn with electronic detritus and suffering the toxic repercussions of mass marketing in a high-tech commodity culture. “Kill” is Dutch for stream, FRESH KILL tells the story of two young lesbian parents caught up in a global exchange of industrial waste via contaminated sushi. The place is New York and the time is now! Raw fish lips are the rage on trendy menus across Manhattan. A ghost barge, bearing nuclear refuse, circles the planet in search of a willing port. Household pets start to glow ominously and then disappear altogether. The sky opens up and snows soap flakes. People start speaking in dangerous tongues. A riveting and densely packed film, FRESH KILL evokes the furious rhythms of channel surfing with its rapid-fire editing style.
ABOUT THE ARTIST: Born in Taiwan and now based in Paris, Shu Lea Cheang is an artist and filmmaker whose work aims to re-envision genders, genres, and operating structures. She began her career as a member of activist media collectives Paper Tiger TV and Deep Dish TV. Later, as a celebrated pioneer of Net Art, her work Brandon (1998–99) became the first-ever web-based artwork commissioned and collected by the Solomon R. Guggenheim Museum. Since 1994, she has produced four feature films, FRESH KILL (1994), I.K.U. (2000), FLUIDØ (2017), and UKI (2023), which encompass a new genre she calls “Scifi New Queer Cinema.” In 2019, she represented Taiwan at the Venice Biennale with the mixed media installation, 3x3x6. Over the years, Cheang has participated in many renowned international biennials, including Performa 19, New York; the 11th Taipei Biennial; the 50th and 58th Venice Biennale; and the 1992 and 1994 Whitney Biennials among others. Her works are included in the world’s key permanent collections for contemporary art, including the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; NTT InterCommunication Center, Tokyo; Walker Art Center, Minneapolis; and DSL collection, Paris.
Directed by Shu Lea Cheang
Rated NR