Hiro and his wife Sono run an okonomiyaki restaurant which employs ex-youth offenders to help support their rehabilitation. Since an incident with a former employee a year ago, Hiro has been hounded by hate speech online. Nevertheless, he sticks to his principles at the restaurant. When he interviews the 18-year-old Yuto in the detention center, the young man tells him: “I want the chance to start over!”, and Hiro hires him. After receiving his first pay packet, Yuto returns to his hometown to buy his father a gift but discovers that he has left town.

In Sokcho, a small seaside village in South Korea, a young woman, Soo-Ha, lives in a bit of a rut, rhythmed by visits to her mother, a fishmonger, and her relationship with her boyfriend, Jun-Ho. When a French man named Yan Kerrand arrives in the boarding house where Soo-Ha works, it awakens within her questions about her own identity, and that of her French father, of whom she knows almost nothing.

In a village in a remote valley on the northern border of Xinjiang, China, a lonely Kazakh boy named Arsin nurses fading memories of his family. He finds solace in the company of plants. The arrival of Meiyu, a Han Chinese girl, is like the discovery of a plant he has never seen before, bringing him comfort and a strange sense of wonder. Together, they grow like two distinct species, rooted in a shared corner of the world, imagining the valley as an endless ocean.

In conservative Malaysia, the mere existence of a baby hatch—in which one can safely abandon newborns– remains a whispered taboo, condemned by the rising tide of social conservatism that brands it as an enabler of moral decay. Lai Sum, Fatimah, Kam, and Nurul, committed employees of a Kuala Lumpur baby hatch, navigate a maze of societal opposition to empower women from diverse backgrounds grappling with the complex notion of bodily autonomy. As Ramadan ends, a dire situation unfolds when Siew Man, an underage girl, teeters on the brink of a life-altering decision.

In the feature film debut of director Kondo Ryota, winner of the Grand Prize at the Japan Horror Film Competition, and produced by legendary J-Horror director, Shimizu Takashi, this film’s quiet horror allows viewers to experience slow-burning dread trapped in the coarse image of a VHS tape. One day, Keita unexpectedly receives an old videotape from his mother. As the tape plays, the grainy images reveal the moment of his brother’s mysterious disappearance years earlier forcing Keita to reckon with a past he has long tried to forget.

The 2025 Sundance Grand Jury Prize winner, a love story set in a traditional Maharashtrian village, follows Anand, a city dweller who, during a 10-day mourning period for his father, rekindles a tender bond with his childhood friend. At the beginning of Cactus Pears, protagonist Anand has to leave his urban world to mourn his beloved father in his ancestral home, where he is inundated with memories and his relations question his marital status.

In Blue Sun Palace’s Chinese-speaking Queens, Cheung is a migrant laborer and Didi works at a massage parlor with other Chinese immigrants. Among them is Amy (Ke-Xi Wu), a gifted cook who dreams of opening her own restaurant. When Didi is tragically killed, Cheung and Amy form an unexpected bond as they navigate their grief and search for connection. Blue Sun Palace offers a quiet, realistic portrayal of immigrant life in New York, where English is rarely spoken and interactions with non-immigrant Americans are largely commodified.

American-educated, comparative literature professor Ali feels that he has shed his familial baggage, and with it, his father’s patriarchal, draconian sensibilities. Ali’s long-simmering resentment, however, resurfaces as he becomes aware that his mother’s untimely death may not have been natural. 

In the spirit of an open house tradition and to foster connections among neighbors, members of the Nationality and Heritage Room Committees will welcome guests into the Cathedral of Learning for an afternoon of exploration and engagement. Guests will be invited into the Nationality and Heritage Rooms which will be decorated for the holiday season and can participate in traditional crafts and cultural demonstrations to learn about the rooms, the committees, and their ethnic communities and traditions.

The Nationality Rooms and Intercultural Exchange Programs, along with the Asian Studies Center and Indian Nationality Room Committee celebrate "India Day 2025: Incredible India!"

Attractions include dance, music, food, henna, clothes and jewelry for purchase, raffles, and kite flying!

Sunday, August 17, 2025 from 12:00pm until 4:00pm, in the Commons Room of the Cathedral of Learning.

Admission is open to the public and free of charge!

For questions, please reach out to pittindianroom@gmail.com