Maria Sonevytsky on “They were the engineers of human souls, why not of children’s fingers?”: Children’s Music, Soviet Internationalism, and the Problem of Ukraine’s National Instrument”
How did the project of Soviet internationalism imagine a future for a “national musical instrument” like the Ukrainian bandura? Drawing on the archive of the Kyiv Palace of Pioneers (KPDU), the mass institution that provided afterschool opportunities for Soviet schoolchildren known as “Pioneers,” alongside interviews with bandura players, this lecture tells the story of the formation of the children’s bandura ensemble in Soviet Ukraine and the violent erasures that enabled its creation.