This article originally appeared in Pittwire, June 11, 2019.
The cheerful, melodious sounds of traditional Filipino gong music echoed in the University of Pittsburgh’s Cathedral of Learning — a soundtrack to the celebration of a new Nationality Room.
The Philippine Room now makes room number 31 of Pitt’s Nationality Rooms — a collection of rooms inside the Cathedral of Learning that represent cultures and heritages from around the world. About 25,000 visitors partake in guided room tours each year, and most of the rooms also serve as classrooms.
And with the new room, guests are now able to step inside the Philippines when they visit the Cathedral.
Pagdiriwang, the annual celebration of Philippine independence, was a festive fit to align with the dedication of the new room.
“Words cannot express the feelings I have now that we have finally dedicated the room,” said Tina Purpura, fundraising chair of the Philippine Nationality Room Task Force, who immigrated to the United States from Manila in 1981. “We are doing this for our children, to keep the legacy of the Filipino community alive.”
The task force, composed of seven members of the local Filipino community, led the planning and fundraising efforts to create the room. This involved more than 20 years of organizing — including trips to the Philippines for design inspiration.
In the Heinz Memorial Chapel ceremony, task force chair Manny Gelido, chaplain in Hispanic Ministries at two West Virginia Roman Catholic parishes, presented a key to Pitt Chancellor Patrick Gallagher, symbolizing the gifting of the room to the University.
Along with Chancellor Gallagher, Provost Ann E. Cudd and Ariel Armony, vice provost for global affairs and director of the University Center for International Studies, took part in the dedication festivities.
“The University of Pittsburgh’s newest room is a stunning tribute to the Filipino people and culture — one that community members and visitors will be able to explore, admire and learn from for generations to come,” said Gallagher. “To the members of the Philippine Nationality Room Task Force, (Nationality Rooms Director) Maxine Bruhns and her team, and all the individuals who worked for years to bring this vision to life: Thank you.”
Cudd called the new room a “truly meaningful addition.”
“Within its sturdy and elegant walls, our faculty and students will share knowledge, energized by the room’s finely executed details,” she told those in attendance.
“This is a historic moment,” added Armony. He thanked the task force for a “true labor of love.” He also called for applause for Bruhns, who has been director of the Nationality Rooms since 1965.
Following the ceremony, a parade of young Filipino women walking under floral arches led the attendees over to the Cathedral of Learning for a cultural festival.
In the Cathedral of Learning’s large Commons Room, guests gathered to hear instrumental music by New York City-based ensemble Kinding Sindaw. The musicians, originally from the southern Philippines, played kulintang, an ensemble of gongs of various sizes that are struck with soft mallets. Male and female dancers in colorful native dress performed a celebration of their country’s dance heritage, much to the delight of an enthusiastic crowd. Filipino women distributed specially prepared food like biko, sweet rice cakes cooked in coconut milk; and lumpia, meat filled dumplings, as attendees admired artwork and artifacts lining the Commons Room walls. Guests also enjoyed free tours of all 31 Nationality Rooms.
Step into the Philippines
The new room is reflective of the typical homes of Philippine ancestors, said Purpura.
“We want visitors to feel the Filipino hospitality immediately when they enter this room, which reminds me of my grandparents’ home,” said Purpura. “The room really does tell a story of our Filipino culture.”
According to the task force, it was important to represent the influence of cultures that make up the Philippines, which is an archipelago of more than 7,000 islands. To formulate the design concept, members of the task force made trips to the Philippines and consulted with scholars and architects from Manila.
Architect of record Warren Bulseco and Manila-based room designer Melinda “Popi” Laudico modeled the room after the Quema house in Vigan, Philippines. The room reflects the Bahay na Bato style, which translates to “house of stone,” to make a sturdy home that can outlast the typhoons, earthquakes and floods that regularly impact the islands.
Prominently featured in the room are paneled bay windows, which are covered in capiz —the inner lining of oyster shells. Capiz are widely used in the Philippines for window shutters. The shells are made to block the sun and admit cool breezes when the windows are left open. The room also features colorful murals on the walls and ceiling that contain symbolism of Filipino culture and mythology, hand-painted by Philippine-born artist Eliseo Art Silva.
A top destination
Established in 1926 by then-Chancellor John Bowman, Pitt’s 31 Nationality Rooms are representative of — and pay tribute to — many of the cultural groups that settled Allegheny County.
In 2019, the Nationality Rooms were named on “The Cool List 2019,” by National Geographic Traveller UK — featuring the rooms as one of its must-see sites.
The Philippine Room is the 12th room to be dedicated since Bruhns, who is also director of Intercultural Exchange Programs in the University Center for International Studies, began leadership of the rooms.
Pitt’s Nationality Rooms are maintained and supported through a partnership between the local populations of these cultural groups and the University of Pittsburgh.
More information is available on the Nationality Rooms website, including details about hours, location, admission prices and group tours.